Folk School

Designing, Weaving, and Finishing the Rug

Wednesday to Saturday: choose colors by twisting strands, draw the rug on graph paper with a rhythm of pattern bands and solid bands, figure yarn per color, then weave it: header, beat, angled weft, floating selvedges, splices, and measuring under tension. Finishing with warp knots or a hem, and steaming.

  • 3 min
  • 5 steps
  • 2 questions
  • Lesson 159 of 204

In this lesson

  1. Colors
  2. Draw the rug
  3. Weave
  4. Finish
  5. Try it

Colors

Schuster chooses colors by twisting together single strands of all the shades she’s considering, which shows their value and contrast as they’ll read in the weft 1. Keep a dark ground color for at least half the rug; accents read against it.

Quick check

How does Schuster judge whether colors will work together?

Draw the rug

The class designs on graph paper with colored pencils 2. Schuster balances “moments of solitude and moments of sociability”: a wide, busy pattern band next to a narrow solid one 1.

  1. Draw the rug’s outline at a small scale: 24 by 36 inches.
  2. Plan the bands: solid ground, narrow dotted stripes, wide pattern bands, and a border at each end. Mirror the plan about the middle so the rug ends match.
  3. Draw each pattern band at full detail, one square per warp end and one row per pass, using the krokbragd grid from lesson 2 or bound-rosepath rows.
  4. Count the inches of each color and multiply by your measured yardage per inch from the sampler. Add 10 percent.

Krokbragd stripes are usually three colors at a time 3, which keeps the shuttles manageable.

Quick check

Why draw the rug on graph paper?

Weave

  • Header. Weave about an inch of plain weave in warp yarn, or two or three rows of twining, to spread the warp and give the finishing something to hold.
  • Beat and angle. Lay each pick in the shed at an angle or in a slight arc before beating, so there’s enough weft to wrap the warp without pulling in. Beat firmly to cover the warp; Schuster’s rug ran 28 picks per inch 4.
  • Selvedges. Catch the floating selvedge on each pass so the edge wefts lock. Stack the shuttles in the order you’ll use them so the colors twist at the edges the same way each time. A temple holds the width steady.
  • Splices. Start and end colors inside the shed, overlapping the tails an inch or so, and tuck the ends to the back.
  • Measure. Measure under tension along the edge, and release tension at the end of each day.
Boundweave flame pattern | Mug Rug Tutorial 10 A boundweave flame on four shafts. Credit: Wild Ginger Handweaving · YouTube standard license · 14:38 · Source

Playback is optional. If the player is unavailable, open the video at its source.

Finish

Cut off, leaving 6 inches of warp at each end. Then:

  • Knots. Tie groups of 2 to 4 warp ends in overhand knots snug against the header and trim to an even fringe.
  • Hem. Or weave an inch of plain weave at each end, turn it under twice, and sew it down.

Steam the rug face-down through a damp cloth, let it dry flat, and trim the weft tails flush. Vävstuga’s rosepath rugs are woven on 8/3 linen with a firm rug wool 5; a weft-faced rug like this one is meant for the floor.

Try it

Weave the first border, then stop and look at the rug from the far side of the room. If the pattern band reads as a muddle from there, raise the contrast between its colors before weaving the rest.

Lesson complete

Nice work.

1day streak
0/1today's goal
–correct

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Sources for this lesson
  1. 1
    Lynn Stracka Schuster. The Beauty of Boundweave. Handwoven. 2025. verifiedHas woven boundweave rugs since 1993; 'I sett my rugs at 4 ends per inch'; judges colors by twisting single strands of all the shades together; balances wide pattern bands with narrow solid ones, 'moments of solitude and moments of sociability.'
  2. 2
    Boundweave Rugs. Sievers School of Fiber Arts. verifiedLynn Stracka Schuster, class 33, Sept 28-Oct 3, 2026, Monday 2 pm to Saturday 11 am, Washington Island WI; $620, notebook $10, yarn $195-270 from the Sievers shop, small rugs recommended. Color selection and placement, drafting for 3-harness krokbragd and 4-harness rosepath, designing your own rug on graph paper with colored pencils, weaving it. Intermediate/advanced: must warp a multi-harness loom confidently and read a draft.
  3. 3
    Krokbragd. All Fiber Arts. 2011. verifiedUsually woven in stripes of 3 colors, at most 3 at a time, treadled 12, 23, 31; a Norwegian weaver notes four picks are normally needed for a colored square; a 2-shaft tabby for borders by alternating treadles; krokbragd also works on 4 shafts and on a rosepath threading.
  4. 4
    Lynn Stracka Schuster. Rosepath Rug (weaving pattern). Long Thread Media. verified4 shafts, 154 ends with 2 floating selvedges; 4-ply rug warp at 560 yd/lb, 385 yd; 3-ply rug wool at 266 yd/lb, eight colors totaling 1,705 yd; 4 epi, 28 ppi, 38 1/2 in in the reed, finished 33 x 48 1/2 in; take-up and shrinkage 14% in width, 8% in length.
  5. 5
    The Rosepath Family. Vävstuga Weaving School. verifiedRosepath on opposites (4 treadles, the most common in Sweden), single- and double-pointed krokbragd (3 treadles each), bound rosepath (3 treadles geometric, 4 for pictures, 6 for detailed pictorial); rug warp 8/3 linen with Mattgarn weft.